Delphi Arrival is the 12th release and ninth Album-A-Day from electronic musician and composer Adhesion. Made from May 29th-31st, 2006, this project is an experiment in combining multiple aspects of modern electronic music in an eclectic style. Ths first AAD by Adhesion since his first (It's Really Hot Outside!) to not have an overarching theme of some sort. Genres like pop, IDM, breakbeat and ambient are explored with the addition of complex harmonies like 7th & 9th chords. The... Topics: Electronic, Evil Residence Records, Crap Art, Experimental, IDM, Ambient, Album-A-Day, Vocoder,...
Mind-Killer is the 22nd release and 19th album-a-day from electronic musician Adhesion. Conceived as a dark, cohesive album, this release runs through a number of genres and emotions, from outright evil breakcore to sinister, impersonal industrial to melancholy downtempo and more. All the tracks flow together and if you look hard enough you might find a story in it. Recommended tracks include But the little men..., a menacing tribal track, The superficial emptiness, a piano-driven, accessible... Topics: evil residence records, album-a-day, full album, downtempo, breakcore, idm, drum'n'bass,...
Shapes is the eighth Album-A-Day from composer and electronic musician Adhesion. A concept album in nature, Shapes is a somewhat of a song cycle based on the different shapes of the album cover. Each shape and connection between shapes corresponds to a track of the album, and the visual properties of the objects are represented in the music. The songs tend to be abstract and unique in production, but still musically interesting both melodically and in the use of complex harmonies. In addition,... Topics: Evil Residence Records, Experimental, Electronic, Downtempo, IDM, Irregular Time Signatures,... Source: Adhesion
The second full-length album and sixth release from electronic musician and experimenter Adhesion. Made over the course of 2005, this release contains songs spanning a vast number of genres as per usual - ambient, downtempo, IDM, techno, chiptune, breakcore/drum'n'bass and a variety of other genres which as of now have no names. Composed and produced entirely with software, it is an extensive, cohesive and flowing work of musical art. more info: http://www.evilresidence.com Topics: Techno, Trance, IDM, Chipstyle, Ambient, Breakcore, Beyond Classification, Self-Produced, Full... Source: Adhesion
Andalou Razor is the debut release of electronic musician Adhesion. Made entirely with software in the latter quarter of 2004, this album crosses a vast number of genre lines, with songs ranging from downtempo to aggressive techno to trance to ambient. Artist website: http://evilresidence.com favoritefavoritefavoritefavoritefavorite ( 1 reviews ) Topics: Electronic, Techno, Melodic Downtempo, Breakbeat, Beyond Classification, Full Album, Evil Residence... Source: Adhesion
The Life You Left Behind is the first collaboration album-a-day by electronic musicians and composers Adhesion and Scrap Heap, both album-a-day veterans. The fusion of their respective styles results in a release that runs the gamut from chiptune to IDM to fast-paced techno to melodic downtempo and even hip-hop. Extremely experimental, yet strangely accessible. Made entirely in software on August 12-13th, 2006. Topics: Evil Residence Records, electronic, ambient, noise, IDM, album-a-day, techno, downtempo,... Source: Adhesion & Scrap Heap
New Folder is the tenth Album-A-Day and thirteenth release from electronic musician and composer Adhesion. This album takes on a more experimental slant than usual - all tracks were made with virtually the same electronic instrumentation (made all in software as per usual, with some sampling). As a result, all tracks flow together/transition in some fashion. Tracks range from rhythmic & sample experimentation to nonsense robot hip-hop to extended jamming. Made on June 14th-15th, 2006. more... Topics: Evil Residence Records, Experimental, Electronic, Crap Art, Album-A-Day, Hip Hop, Jam, Downtempo,... Source: Adhesion
Prolific is a collection of the 12th, 13th and 14th album-a-days by electronic musician Adhesion. This whole release was written and produced in the span of about 4 days total (August 21st-24th, 2006), within the rules of the album-a-day project. Tracks 1-7 make up part 1, which is faster and more slanted towards techno and IDM with a little jazz at the end. Part 2 is tracks 8-14 and is made up of ambient and downtempo with the last track being dub. The last part of the album is a return to the... Topics: Evil Residence Records, Experimental, Electronic, Crap Art, Album-A-Day, Ambient, Downtempo,... Source: Adhesion
Rushed Music is the 18th album and 17th album-a-day from electronic musician Adhesion. Made just a few days after Pseudocold2, this release was originally planned as a most-number-of-songs-in-a-day competition with fellow composer Scrap Heap, however, it quickly degenerated back into a normal album-a-day. Unlike most other AADs from Adhesion, this one doesn't have a general theme (aside from all songs being roughly 2 minutes or less) and was made without taking a sleep break. Musically, this... Topics: Electronic, Experimental, Crap Art, Album-A-Day, Evil Residence Records, Improvisation, Ambient,... Source: Adhesion
You'll Never Take Me Alive is the debut release from Apostles of Robespierre, a collaboration between electronic musicians Adhesion and dotCommunism. Created in the latter quarter of 2004 with a software-based setup, this album is a collection of the various experiments that emerged when AOR began. Songs range from light-hearted and silly to dark and aggressive and from 10/8 Nixon electronica to ethereal downtempo. More info: www.evilresidence.com Topics: Ambient, Drum & Bass, Electronic, Breakbeat, Beyond Classification, Political, Full Album,... Source: Apostles of Robespierre